#Storme de laverie free#

If you’re in New York, feel free to visit her monthly Miss Manhattan Non-Fiction Reading Series.Ms. Her work has appeared in Vice, Billboard, Vogue, Vanity Fair, T: The New York Times Style Magazine, and Elle. I helped other people survive.”Įlyssa Goodman is a New York-based writer and photographer. As she said in a 2001 documentary short called “ A Stormé Life,” “I’m a human being that survived. Having experienced a difficult upbringing herself, DeLarverie always sought to provide protection for others, whether it was at the Jewel Box or Henrietta Hudson. “She was not to be messed with by any stretch of the imagination.” DeLarverie would continue to sing at charity events and fundraisers around New York, too, specifically for victims of violence and domestic abuse. “She literally walked the streets of downtown Manhattan like a gay superhero,” longtime friend Lisa Cannistraci told The New York Times upon DeLarverie’s death, in 2014. DeLarverie also became a board member of the Stonewall Veterans’ Association and was an annual fixture at New York’s annual Gay Pride Parade. She was on staff there until 2005, when she was 85. DeLarverie was also known at the time for roaming the West Village vigilante-style - she had no tolerance for what she called “ugly,” meaning rudeness, bullying, or behavior that was otherwise intolerant of her “baby girls” at the bars she was protecting.ĭeLarverie started at the Cubbyhole’s original location, at 438 Hudson Street, and then became the security guard when it changed hands and became Henrietta Hudson, in 1990. Instead, she became a bodyguard for wealthy families during the day and a bouncer (though she didn’t like the term and much preferred “babysitter of my people, all the boys and girls”) at several lesbian bars in the West Village at night. Shortly after Stonewall, DeLarverie’s girlfriend of 25 years, a dancer named Diana, passed away, and DeLarverie left entertaining almost entirely. Nonetheless, these events gave greater momentum to the gay rights movement in the U.S., and DeLarverie is today revered for her monumental contributions to the gay rights movement.

But her presence there turned her into an icon in LGBTQ+ history after the riots - which she felt were not so much riots but an act of disobedience and rebellion, she would say later.

There’s still some debate about whether she was the “cross-dressing lesbian” who threw the first punch that initiated the event (ostensibly at a cop who told her to “ Move along, faggot,” because he apparently thought she was a man). Then, in summer 1969, the historic Stonewall uprising happened. Dressing in traditionally masculine attire, she may have inspired other lesbians of the era in New York to do the same. At the time, DeLarverie was the emcee, musical director, and occasional stage manager of the Jewel Box Revue, a touring drag cabaret known for its slogan “25 Men and One Girl” they performed three or four shows a day at famous nightclubs and venues in New York City and across the country.ĭeLarverie became so celebrated that she began circulating in highly respected crowds, among the likes of Dinah Washington and Billie Holiday. The image, titled Miss Stormé de Larverie, the Lady Who Appears to be a Gentleman, N.Y.C., was taken in 1961. In the image, DeLarverie sits elegantly on a park bench in a slim-cut suit, one leg crossed over the other, with shiny black ankle boots on her feet and a hand bearing both a glimmering pinky ring and the very end of a cigarette. There are several well-known photographs of Stormé DeLarverie (pronounced, as she puts it in the documentary short Stormé: The Lady of the Jewel Box, “Storm De-Lah-vee-yay”), but perhaps the most famous was shot by none other than legendary portraitist Diane Arbus. “Drag Herstory” will focus on iconic drag performers throughout history, providing essential knowledge about the world beyond Drag Race*.* RuPaul’s Drag Race has made drag more popular than ever - but as much as we love the queens on screen, it’s important to know the drag legends who paved their way, making the art form what it is today.

Storme de laverie